Works
  • Virginie Barré, Les vacances d'avril (le lait des âmes), 2016
    Les vacances d'avril (le lait des âmes), 2016
  • Virginie Barré, Les deux anglaises et le continent, 2011
    Les deux anglaises et le continent, 2011
  • Virginie Barré, Modèle pour Overlook, 2011
    Modèle pour Overlook, 2011
  • Virginie Barré, Full Metal Jacket, draft, 2011
    Full Metal Jacket, draft, 2011
  • Virginie Barré, The Shining, 2011
    The Shining, 2011
  • Virginie Barré, Mon amour, Le capitaine, 2011
    Mon amour, Le capitaine, 2011
  • Virginie Barré, Give Up, 2011
    Give Up, 2011
  • Virginie Barré, It is true, 2011
    It is true, 2011
  • Virginie Barré, Dear Stanley, 2011
    Dear Stanley, 2011
  • Virginie Barré, Japonisme. Jo, sac, M, 2008
    Japonisme. Jo, sac, M, 2008
  • Virginie Barré, Japonisme. Jo, j, singe, 2008
    Japonisme. Jo, j, singe, 2008
  • Virginie Barré, Japonisme. Jo, masque, 2008
    Japonisme. Jo, masque, 2008
  • Virginie Barré, Bonjour Tristesse 3, 2011
    Bonjour Tristesse 3, 2011
  • Virginie Barré, Les soeurs Grady, 2011
    Les soeurs Grady, 2011
  • Virginie Barré, Les vacances d'avril (la piscine), 2016
    Les vacances d'avril (la piscine), 2016
  • Virginie Barré, Les vacances d’avril (Jo), 2016
    Les vacances d’avril (Jo), 2016
  • Virginie Barré, Slumberland 1, 2007
    Slumberland 1, 2007
  • Virginie Barré, Slumberland 2, 2007
    Slumberland 2, 2007
  • Virginie Barré, Slumberland 3, 2007
    Slumberland 3, 2007
Installation shots
Biography

Virginie Barré's work feeds itself through literary fictions, cinema references and popular culture. She recodifies those influences freely. Childhood is also a recurrent element in her work, which she links to other concepts and formats such as color or games. She works with different techniques as sculpture, film or drawing. Active since the mid-1990s, her practice is deeply influenced by movie directors as Stanley Kubrick, Federico Fellini or Hayao Miyazaki, as well as her interest in graphic novels. She herself has realised comic strips from the early 2000s, bringing together real and fictional characters. In recent years and in parallel to her foray in the field of filmmaking, more abstract installations, assemblages of manufactured and handmade objects, arise in her practice where remains visible her interest in Japanese culture.

 

Exhibitions
News