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Kendell Geers, Circular Ruins 7276 , 2019 -
Marcos Ávila-Forero, Códices. Minga Banano-Landázuri, 2019
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Conrad Atkinson, Aesthetics can be a pretty ugly bussiness, 2019
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Carlos Aires, Desastre CLXXI, 2019
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Núria Güell, El Valor de la Puresa, 2019
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Adrian Melis, Engagement rate formula, 2019
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Kendell Geers, Holy Unmercenaries I, 2019
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Kendell Geers, Holy Unmercenaries II, 2019
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Eugenio Merino, In God We Trust (everyone else pays in cash) - Heart, 2019
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Eugenio Merino, La puerta de Europa, 2019
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Kendell Geers, Losing my Religion 9875, 2019
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Pep Vidal, Maybe, 2019
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Avelino Sala, Mirror Stage Ophelia (Millais VS Mediterraneo), 2019
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Avelino Sala, Mirror Stage Ophelia 2 (Nick Cave VS Mediterraneo), 2019
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Regina José Galindo, No aceptamos sus disculpas (Wir akzeptieren eure Entschuldigungen nicht), 2019
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Pep Vidal, Permanent Settlements of Desire / Control, 2019
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Kendell Geers, Poetic Justice (Blind Faith No More) 3474, 2019
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Carlos Pazos, Portrait of Mickey Mouse as Carlos Pazos, 2019
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Avelino Sala, Sapere Aude!, 2019
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Jordi Colomer, Standard Mex 1, 2019
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Jordi Colomer, Standard Mex 2, 2019
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Jordi Colomer, Standard Mex 3, 2019
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Jordi Colomer, Standard Mex 5, 2019
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Margaret Harrison, Sunset, 2019
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Federico Solmi, The Charming Statesman, 2019
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Margaret Harrison, The day the music died, 2019
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Joan Pallé, The glorious tragedy of youth. Alphaville’s song, 2019
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Joan Pallé, The glorious tragedy of youth. At least we are young, 2019
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Marinella Senatore, The School of Narrative Dance. The Street, 2019
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Bouchra Khalili, The Typographer, 2019
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Marcos Ávila-Forero, Theory of the wild geese, notes on the workers gestures, 2019
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Pep Vidal, Up to you, 2019
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Pep Vidal, Weapon, 2019
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Carlos Aires, Welcome Series, 2019
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María María Acha-Kutscher, Womankind. Alternative Space, 2019
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Núria Güell, Una película de Dios, 2018-2019
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Núria Güell, Una película de Dios. Anexo: Santa Águeda por Evelyn, 2018-2019
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Núria Güell, Una Película de Dios. Anexo: Susana y los Viejos por Mario, 2018-2019
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Avelino Sala, A of Anarchy , 2018
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Núria Güell, Afrodita , 2018
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Domènec, BKF. Cinegética y Modernidad, 2018
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Joan Pallé, Christmas tree ecstasy pill, 2018
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Joan Pallé, Coche en llamas, 2018
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Adrian Melis, Covert planning 1. Resources management, 2018
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Adrian Melis, Covert planning 2. Distribution, 2018
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Núria Güell, De Putas. Un ensayo sobre la masculinidad., 2018
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Domènec, El estadio, el pabellón y el palacio (1), 2018
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Domènec, El estadio, el pabellón y el palacio (4), 2018
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Joan Pallé, Enough space. A magnificent place to live, work, or commit suicide, 2018
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Joan Pallé, Enough space. Lowry’s letter, 2018
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Joan Pallé, Enough space. Prospect Cottage, 2018
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Enric Farrés Duran, A good Display, 2018
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Nicolas Daubanes, Ergonomie de la révolte, 2018
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Marcos Ávila-Forero, Estibas. From Riochiquito II, 2018
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Regina José Galindo, La manada, 2018
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Carlos Aires, Leçons de Ténèbres VIII, 2018
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Avelino Sala, Mirror Stage Goya 12, 2018
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Avelino Sala, Mirror Stage. Goya 11, 2018
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Joan Pallé, Negativeland. 63 repetidors passius, 2018
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Joan Pallé, Negativeland. Lost in space, 2018
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Joan Pallé, Negativeland. Salir de aquí, 2018
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Jordi Colomer, New Palermo Felicissima, 2018
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Joan Pallé, Okupes vs. TV3, 2018
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DEMOCRACIA, ORDER, Act. 1, Eat the Rich, 2018
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DEMOCRACIA, ORDER, Act. 1, Kill the Poor, 2018
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DEMOCRACIA, ORDER. Act. I. Eat the rich / kill the poor, 2018
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DEMOCRACIA, ORDER. Act. II. Konsumentenchor, 2018
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Joan Pallé, Postfordism & seduction. Biopolitical dissection 1, 2018
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Joan Pallé, Postfordism & seduction. Biopolitical dissection 10, 2018
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Joan Pallé, Postfordism & seduction. Biopolitical dissection 5, 2018
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Avelino Sala, Russia as a Hammer, 2018
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Regina José Galindo, Sirena de guerra, 2018
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Bouchra Khalili, Twenty-Two Hours, 2018
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Pep Vidal, Untitled, 2018
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Pep Vidal, Untitled, 2018
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Pep Vidal, Untitled, 2018
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Avelino Sala, USA as a hammer, 2018
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Domènec, Welcome to Barcelona / Welcome to Madrid, 2018
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Domènec, Y la tierra será el paraíso, 2018
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Domènec, Y la tierra será el paraíso, 2018
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