Alfabet (X) and Alfabet (doble X) (2021) transport us to the mills of La Mancha. These two images announce the first chapter of a larger project where Colomer will develop a new investigation around architecture linked to fiction. The mills, the typography, and the character that conform the scene refer us to white, to the non-color made up of all the colors. These three elements, in turn, draw the letter "X" which acts as a footnote. The "X" refers to an indefinite out-of-field, an unknown: the giant's arms that reflect the blades of the windmill as in an infinite mirror, the woman's body, the letter "X", and so on x times.