Works
  • Nicolas Daubanes, Cypress Hill III, 2024
    Cypress Hill III, 2024
  • Nicolas Daubanes, Palombière 07, 2024
    Palombière 07, 2024
  • Nicolas Daubanes, Palombière 06, 2024
    Palombière 06, 2024
  • Nicolas Daubanes, L'incendie de la caserne Rochambeau, place forte de Mont-Dauphin, 2024
    L'incendie de la caserne Rochambeau, place forte de Mont-Dauphin, 2024
  • Nicolas Daubanes, La mutinerie de Fontevraud. L'Incendie de l'Abbatiale 1, 2023
    La mutinerie de Fontevraud. L'Incendie de l'Abbatiale 1, 2023
  • Nicolas Daubanes, Incendie du Santi-Petri, bagne maritime de Toulon, 2023
    Incendie du Santi-Petri, bagne maritime de Toulon, 2023
  • Nicolas Daubanes, La Modelo, Barcelona, 2022
    La Modelo, Barcelona, 2022
  • Nicolas Daubanes, À la faveur de la nuit 06, 2022
    À la faveur de la nuit 06, 2022
  • Nicolas Daubanes, La Volonté de puissance, 2022
    La Volonté de puissance, 2022
  • Nicolas Daubanes, Bunker II, 2021
    Bunker II, 2021
  • Nicolas Daubanes, Question préparatoire, question préalable, question définitive, 2021
    Question préparatoire, question préalable, question définitive, 2021
  • Nicolas Daubanes, À la faveur de la nuit 05, 2019
    À la faveur de la nuit 05, 2019
  • Nicolas Daubanes, Ergonomie de la révolte, 2018
    Ergonomie de la révolte, 2018
  • Nicolas Daubanes, Quartier des femmes mineures, 2017
    Quartier des femmes mineures, 2017
Installation shots
Biography
I explore fundamental issues – life, death, the human condition – and the social forms that shape them. In my recent works, the speed, the fragility, the porosity, the ghostly aspect of images and materials convey the pressure of the past to the intersection of what is to happen.

For close to twelve years, Nicolas Daubanes has been producing work on the prison world (drawings, installations, videos), resulting from immersive residencies in prisons. From his drawings with iron filings to his monumental installations of concrete, he deals with the moments of both suspension and the fall: it is a question of seeing before the fall, before the ruin – a vital impulse. The iron filings – a fine, dangerous, and volatile material – used in the drawings and wall drawings refer to prison bars and, by extension, to escape. 


Nicolas Daubanes’ works are part of important private and public collections, including the Frac Occitanie Montpellier, the Frac Provence-Alpes-Côte-d’Azur, the Frac Franche-Comté, the Mrac Sérignan, and the Fonds d’art contemporain Paris collections. Nicolas Daubanes was the winner of the 2016 YIA Prize, the 2017 Grand Prix Occitanie d’art contemporain, and the 2017 Mezzanine Sud Les Abattoirs prize. He was also the winner of the 2018 Amis du Palais de Tokyo prize. In 2019–20, his solo exhibitions were presented at the Frac Provence-Alpes-Côte-d’Azur, the Château d’Oiron, and Palais de Tokyo. In 2021, he was awarded the Drawing Now prize.

Exhibitions
News