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Domènec
Spain, b. 1962

Domènec Spain, b. 1962

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Open a larger version of the following image in a popup: Domènec, Y la tierra será el paraíso, 2018
Open a larger version of the following image in a popup: Domènec, Y la tierra será el paraíso, 2018
Open a larger version of the following image in a popup: Domènec, Y la tierra será el paraíso, 2018
Open a larger version of the following image in a popup: Domènec, Y la tierra será el paraíso, 2018
Open a larger version of the following image in a popup: Domènec, Y la tierra será el paraíso, 2018
Open a larger version of the following image in a popup: Domènec, Y la tierra será el paraíso, 2018

Domènec Spain, b. 1962

Y la tierra será el paraíso, 2018
14 wooden models and 2 prints.
120 x 120 x 197 cm.
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Further images

  • (View a larger image of thumbnail 1 ) Domènec, Arquitectura española, 1939-1975, 2014-2018
  • (View a larger image of thumbnail 2 ) Domènec, Arquitectura española, 1939-1975, 2014-2018
  • (View a larger image of thumbnail 3 ) Domènec, Arquitectura española, 1939-1975, 2014-2018
  • (View a larger image of thumbnail 4 ) Domènec, Arquitectura española, 1939-1975, 2014-2018
  • (View a larger image of thumbnail 5 ) Domènec, Arquitectura española, 1939-1975, 2014-2018
  • (View a larger image of thumbnail 6 ) Domènec, Arquitectura española, 1939-1975, 2014-2018
These models represent the gigantic social housing projects of La Mina, a neighbourhood located in the limits of Barcelona, constructed at the end of the sixties to relocate the population...
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These models represent the gigantic social housing projects of La Mina, a neighbourhood located in the limits of Barcelona, constructed at the end of the sixties to relocate the population coming from different shanty towns. Two archival photographs are shown next to the sculpture; one, from 1970, shows the dictator Franco and the mayor of Barcelona posing next to the model of La Mina neighbourhood project. Another one, shows a couple of gypsy women, relocated in this same neighbourhood, holding the model of their shack at Camp de la Bota, built by themselves with cardboard. Once again, we see the image of power presenting itself as the leader of the population through large construction campaigns, in front of the image of the most disadvantaged classes of society, which take over the urban space making use of all the resources they find at their reach.
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