Works
  • Fábio Colaço, Bread to the people, 2026
    Bread to the people, 2026
  • Fábio Colaço, Truth on the Brink of Collapse, 2025
    Truth on the Brink of Collapse, 2025
  • Fábio Colaço, Who killed the world?, 2025
    Who killed the world?, 2025
  • Fábio Colaço, Fail, 2025
    Fail, 2025
  • Fábio Colaço, Flooded Europe, 2025
    Flooded Europe, 2025
  • Fábio Colaço, Grace, 2025
    Grace, 2025
  • Fábio Colaço, Utopia, 2024
    Utopia, 2024
  • Fábio Colaço, Untitled (truth), 2024
    Untitled (truth), 2024
  • Fábio Colaço, Untitled (concetto spaziale), 2024
    Untitled (concetto spaziale), 2024
  • Fábio Colaço, Untitled (timeline), 2024
    Untitled (timeline), 2024
  • Fábio Colaço, Untitled (1984), 2024
    Untitled (1984), 2024
  • Fábio Colaço, Untitled (concetto spaziale), 2024
    Untitled (concetto spaziale), 2024
  • Fábio Colaço, Untitled (concetto spaziale), 2024
    Untitled (concetto spaziale), 2024
  • Fábio Colaço, Untitled (concetto spaziale), 2024
    Untitled (concetto spaziale), 2024
  • Fábio Colaço, Untitled (concetto spaziale), 2024
    Untitled (concetto spaziale), 2024
  • Fábio Colaço, Untitled (concetto spaziale), 2024
    Untitled (concetto spaziale), 2024
  • Fábio Colaço, God Shoes #10, 2024
    God Shoes #10, 2024
Installation shots
Biography
Fábio Colaço was born in Lisbon, where he lives and works.
Although Fábio Colaço engages with a wide spectrum of artistic languages, his practice is principally centred on sculpture, which functions as the primary medium through which he articulates his conceptual inquiries. His work is deeply invested in a critical examination of the complex interplay between power and language, exploring the ways in which discourses, visual representations, and symbolic structures are produced, disseminated, and normalized within contemporary society. Through this exploration, the artist interrogates the mechanisms by which authority, meaning, and social conventions are established, maintained, and internalized, shedding light on the subtle processes through which normative frameworks are constructed.
Irony, humour, and subversion constitute recurring and transversal elements within his practice, operating not merely as stylistic features but as deliberate strategies for challenging entrenched paradigms and destabilizing conventional perceptions. These devices enable his work to operate simultaneously as critique and reflection, fostering a space in which viewers are encouraged to reconsider habitual frameworks of understanding and to engage with alternative interpretations and possibilities within the contemporary sociocultural landscape.

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