The work features two characters wearing official uniforms belonging to different branches of the Italian state, reproduced in accordance with the prescribed models. The action deliberately avoids any representation of official authority, as there are no arrests, identity checks, orders, simulated duties or exercise of public functions. The uniform remains a visual sign stripped of its institutional function, becoming a medium through which to interrogate the relationships between power, masculinity and desire in the practice of cruising.
Los Hijos de Sodoma: Daniel Gasol
Forthcoming exhibition