Faced the possibility of being a mother, the artist asks the museum to dedicate the entire cost of the production of her work to the financing of the minimum contributions required by the Social Security to grant the maternity benefit. Thus, Aphrodite, in addition to showing the precariousness that plagues those who work for themselves in the arts sector in Spain, reveals the indifference and neglect of responsibilities by museums and art institutions, whom he places as directly responsible for perpetuation of the state of affairs.