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Portrait of Mickey Mouse as Carlos Pazos, 2019
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Dandy en Bancarrota (I), 2016
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Dandy en bancarrota (II), 2016
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Tango tongo. Como si lo sencillo fuera fácil , 2016
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Visio'n Shanghai (Pudo ser peor I), 2016
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¡Vaya nochecita!, 2016
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Art¡ss!mo, 2015
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Pesadilla de un Robinsón rijoso, 2015
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El cerdo y el cisne, 2011
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Curasana, el mejor amigo del hombre, 2010
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Dibujo terapéutico (Bulldog), 2010
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Dibujo terapéutico (O mimé), 2010
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Dibujo terapéutico (Pon pon), 2010
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Nota de Fondo, 2010
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Se jodió el columpio, 2010
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Dadú, 2009
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Elogio del artificio I, 2008-09
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Elogio del artificio II, 2008-09
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Nil de Roses, 2008
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Desmadejando mares en los días, 2007
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Verano y Luis Manano, 2007
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Acompañando el naufragio de un país conocido, 2006
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Elogio del Calcetin, 2004
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Toutes les chambres d’hôtel se ressemblent, 1998
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Livre de Brouillon. S/T (Jealousie), 1992
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Livre de Brouillon. S/T (Flammes de Velours), 1990
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Livre de Brouillon. S/T (chica), 1989
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Livre de Brouillon. S/T (Recuerdo a Bob Ross), 1988
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Livre de Brouillon. S/T (Television), 1988
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¡Vaya Zorra!, 1988
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Livre de Brouillion: S/T (Ce qui reste de l'avion), 1987
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Livre de Brouillon. S/T (Humo de luz), 1987
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Livre de Brouillon. S/T (Nocturno), 1987
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Papel tapiz, 1987
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Livre de Brouillon. S/T (La Pesqué), 1986
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Livre de Brouillon. S/T (Luna de piel), 1986
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Voy a hacer de mí una estrella, 1975
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Nicasso, el film
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¡Cuidado con la pintura!
Carlos Pazos is an emblematic figure for its uniqueness in the Spanish contemporary art history. A heterogeneous creator, his work hosts Neo-Dadaism, Arte Povera, Surrealism, the aesthetics of Marcel Duchamp's ready-made, the Robert Rauschenberg's combines and the institutional analysis of Marcel Broodthaers. However, despite the references and echoes of other practices, his work remains unclassifiable amid the normative character of art criticism. Although his work carries in the surface a marked sense of humor, it is also deeply dramatic. Pazos confirms the failure of modernity and questions any systems of representation: the image can no longer evoke any reality and the ego springs from fiction. The artist hides behind a variety of masks and, through the use of souvenirs and objects, turns the art of collecting into one of the main themes of his artistic practice. With kitsch aesthetic, he combines the poetics of the object with irony and a narcissistic mask.
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Antiguo
Carlos Pazos + ADN Collection 11 Feb - 13 May 2023 Locker Room -
Suspended questions or Déjà vu?
Carlos Pazos 14 Mar - 23 May 2020 ADN GaleriaIn this exhibition, which runs away from chronology, works from different periods and subject matters are shown showcasing the circular and open nature of Pazos' art. Videos, photographs, “climatic” pieces...More information -
5994 is just a number
Group show 10 Oct - 30 Nov 2019 ADN GaleriaWithin the framework of Barcelona Gallery Weekend 2019, we are presenting a collective exhibition with the artists who we work for; some of them since the beginning, and others who...More information -
Kiss Kiss Bang Bang
Group Show 19 Jan - 18 May 2019 ADN PlatformImage is trapped in word. In the beginning was the word. In the beginning of what exactly was the word? The word, for William S. Burroughs, is a parasite that...More information -
Recent Shipwrecks
Carlos Pazos 17 Mar - 14 May 2016 ADN GaleriaThe artist resorts to a wide range of potentially evocative objects that invoke a lived period of time: memories of the long summers of his childhood, of his extended stay...More information