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Regina José Galindo
Guatemala, b. 1974

Regina José Galindo Guatemala, b. 1974

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Open a larger version of the following image in a popup: Regina José Galindo, La Sombra, 2017
Open a larger version of the following image in a popup: Regina José Galindo, La Sombra, 2017
Open a larger version of the following image in a popup: Regina José Galindo, La Sombra, 2017

Regina José Galindo Guatemala, b. 1974

La Sombra, 2017
Print on satin glicee Canson paper 270 gr/m2, black painted wooden framed and museum glass.
90 x 135 cm.
92 x 132 x 4 cm. framed
Edition of 5 plus 2 artist's proofs
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Further images

  • (View a larger image of thumbnail 1 ) Regina José Galindo, El dolor en un pañuelo, 1999
  • (View a larger image of thumbnail 2 ) Regina José Galindo, El dolor en un pañuelo, 1999
  • (View a larger image of thumbnail 3 ) Regina José Galindo, El dolor en un pañuelo, 1999
In this work, it is the artist herself who runs pursued by a military tank. This image, captured during Galindo's performance for Documenta 14, alludes to unnoticed and marginalized women...
More information
In this work, it is the artist herself who runs pursued by a military tank. This image, captured during Galindo's performance for Documenta 14, alludes to unnoticed and marginalized women worldwide, simultaneously highlighting Germany's role as a major exporter of combat weapons. In fact, the tank featured in the video is manufactured in Germany. Thus, the piece underscores the intricate relationship between art and war, especially within the global art market.

En esta obra, es la propia artista quien corre perseguida por un tanque militar. Esta imagen, captada durante la performance de Galindo para la Documenta 14, alude a las mujeres desapercibidas e invisibilizadas en todo el mundo, destacando al mismo tiempo el papel de Alemania como importante exportador de armas de combate. De hecho, el tanque que aparece está fabricado en Alemania. Así, la obra subraya la intrincada relación entre el arte y la guerra, especialmente dentro del mercado artístico global.

En aquesta obra, és la pròpia artista qui corre perseguïda per un tanque militar. Aquesta imatge, captada durant la performance de Galindo per a la Documenta 14, al·ludeix a les dones desapercebudes i invisibilitzades arreu del món, destacant al mateix temps el paper d'Alemanya com a important exportador d'armes de combat. De fet, el tanque que apareix està fabricat a Alemanya. Així, l'obra subratlla la intrincada relació entre l'art i la guerra, especialment dins del mercat artístic global.
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