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Regina José Galindo
Guatemala, 1974

Regina José Galindo Guatemala, 1974

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Open a larger version of the following image in a popup: Regina José Galindo, Himenoplastia, 2004
Open a larger version of the following image in a popup: Regina José Galindo, Himenoplastia, 2004
Open a larger version of the following image in a popup: Regina José Galindo, Himenoplastia, 2004
Open a larger version of the following image in a popup: Regina José Galindo, Himenoplastia, 2004

Regina José Galindo Guatemala, 1974

Himenoplastia, 2004
Video.
7’ 20’’
Edition 4 of 5 + 3AP
Consultar
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Más imágenes

  • (View a larger image of thumbnail 1 ) Regina José Galindo, El dolor en un pañuelo, 1999
  • (View a larger image of thumbnail 2 ) Regina José Galindo, El dolor en un pañuelo, 1999
  • (View a larger image of thumbnail 3 ) Regina José Galindo, El dolor en un pañuelo, 1999
  • (View a larger image of thumbnail 4 ) Regina José Galindo, El dolor en un pañuelo, 1999
Hymenoplastia forms a crude allegation about strong ideological constraints often of religious origin that remain rooted in our society and harm the possibilities of women: a video showing how Galindo...
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Hymenoplastia forms a crude allegation about strong ideological constraints often of religious origin that remain rooted in our society and harm the possibilities of women: a video showing how Galindo undergoes surgery to reconstruct her hymen and thus return to being a virgin. Both works refer directly to the burdens coming from religions that, for centuries, have produced repressive, demeaning, and abusive norms, slogans, ideologies, images, and symbols that limit the social and vital position of women in a castrating and violent way.
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