Avelino Sala Spain, b. 1972
Guernica/Fridays for future #2, 2025
Pyrography on wood, wooden frame and museum glass.
44 x 44 x 4,5 cm framed.
Edition of 3 plus 1 AP
Sala attempts to capture environmental collapse from a perspective that unifies aesthetics and critical discourse in Guernica/Fridays for Future (2025). This project reflects on the history and struggle between humanity...
Sala attempts to capture environmental collapse from a perspective that unifies aesthetics and critical discourse in Guernica/Fridays for Future (2025). This project reflects on the history and struggle between humanity and nature that has led us to the current critical moment. These texts and images captured on sections of tree trunks function as a kind of memory map that tells us what has happened at a specific time. A section of a tree that is more archaeology of the present than dendrochronology.