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Jordi Colomer
Spain, b. 1962

Jordi Colomer Spain, b. 1962

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Open a larger version of the following image in a popup: Jordi Colomer, Lessons. Manila, 2017

Jordi Colomer Spain, b. 1962

Lessons. Manila, 2017
Glicée print on Epson baryta paper on dibond. White wooden frame.
58 x 88 cm.
Edition of 5 + 2 AP
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Lessons reinterprets part of the UKA activity in Trondheim, when students staged a series of theatrical works parodying the university's structure. Now, actress Laura Weissmahr appears in a double projection...
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Lessons reinterprets part of the UKA activity in Trondheim, when students staged a series of theatrical works parodying the university's structure. Now, actress Laura Weissmahr appears in a double projection mimicking the gestures of the actors in the 1957 recordings. To this exact reconstruction of gestuality, a time lag is added, along with the play of reflections and gazes from the mirrors surrounding the installation. Lessons reactivates the stage within another stage: the mirror turns the spectator into an actor of the play being observed. This chain of fictions raises questions about representation and the role of the audience in contemporaneity.

Lessons reinterpreta parte de la actividad de la UKA en Trondheim, cuando los estudiantes realizaron una serie de obras teatrales en las que parodiaban la estructura de la universidad. Ahora, la actriz Laura Weissmahr, aparece en una doble proyección mimetizando los gestos de los actores en las grabaciones de 1957. A esa reconstrucción exacta de la gestualidad se añade el desfase en el tiempo y el juego de reflejos y miradas a partir de los espejos que envuelven la instalacion. Lessons reactiva el escenario en otro escenario: el espejo convierte al espectador en actor de la obra que observa. Esta cadena de ficciones plantea cuestiones sobre la representación y el rol del público en la contemporaneidad.

Lessons reinterpret part de l'activitat de la UKA a Trondheim, quan els estudiants van representar una sèrie d'obres teatrals que parodiaven l'estructura de la universitat. Ara, l'actriu Laura Weissmahr apareix en una doble projecció mimetitzant els gestos dels actors en les gravacions de 1957. A aquesta reconstrucció exacta de la gestualitat s'afegeix el desfasament en el temps i el joc de reflexos i mirades a partir dels miralls que envolten la instal·lació. Lessons reactiva l'escenari dins d'un altre escenari: el mirall converteix l'espectador en actor de l'obra que observa. Aquesta cadena de ficcions planteja qüestions sobre la representació i el paper de l'audiència en la contemporaneïtat.
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